[Milton-L] Satan's webcam
dionhalic at gmail.com
Wed Feb 10 22:34:25 EST 2016
Yes, thank you, Dario.
You write that
"Adam and Eve can be dimly made out in the background, but the animals in
the foreground are looking at something in "our" direction, and they
seem quite alarmed. They are probably noticing Satan as he approaches:"
I wonder I don't know if there's any historically reasonable possibility
the artist supposes/depicts the animals as if they were apprehending, not
Satan, but the painter. He's looking at them with brush in hand; they
are looking back at him with real apprehension in their
they have never before seen a fallen human person. Judging by the face of
the male lion, Mr. Bruegel is not a pretty sight.
looking at them just as much as they are looking at himhimself if never
seen a row On TTuesday, February 9, 2016, Dario Rivarossa <
dario.rivarossa at gmail.com> wrote:
> Dear friends and scholars
> a very interesting interpretation of Paradise was painted in the early
> 17th century by Jan Bruegel the Younger, a grandson of the Elder. Adam
> and Eve can be dimly made out in the background, but the animals in
> the foreground are looking at something in "our" direction, and they
> seem quite alarmed. They are probably noticing Satan as he approaches:
> The same concept, but simplified, was worked out by Gustave Doré in
> his illustrations for PL:
> il Tassista http://tassonomia.blogspot.it e http://stornielle.blogspot.it
> co-artist with the Magic Trio http://tiziafra.wix.com/the-magic-trio
> Milton-L mailing list
> Manage your list membership and access list archives at
> Milton-L web site: http://johnmilton.org/
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