[Milton-L] Winter issue of Eighteenth Century Fiction now available online

UTP Journals thawkic551 at rogers.com
Mon Dec 19 11:44:03 EST 2016

Now available online


Eighteenth-Century Fiction - Volume: 29, Number: 2 (Winter 2016–17) 

 <http://bit.ly/ecf292> http://bit.ly/ecf292



Mediation, Authorship, and Samuel Richardson: An Introduction

Louise Curran and Sören Hammerschmidt

 <http://bit.ly/ecf292a> http://bit.ly/ecf292a



Rewriting Clarissa: Alternative Endings by Lady Echlin, Lady Bradshaigh, and
Samuel Richardson

Peter Sabor

 <http://bit.ly/ecf292b> http://bit.ly/ecf292b


Sexual Remembrance in Clarissa

Kathleen Lubey

 <http://bit.ly/ecf292c> http://bit.ly/ecf292c


Pamela, Part ii: Richardson’s Trial by Theatre

Bethany Wong

 <http://bit.ly/ecf292d> http://bit.ly/ecf292d



Catherine Talbot Translates Samuel Richardson: Bridging Social Networks and
Media Cultures in the Mid-Eighteenth Century

Betty A. Schellenberg

 <http://bit.ly/ecf292e> http://bit.ly/ecf292e


Richardson, Celebrity, and Editorial Mediation in Anna Meades’s Sir William

Teri Doerksen

 <http://bit.ly/ecf292f> http://bit.ly/ecf292f


Popular Fiction after Richardson

Bonnie Latimer

 <http://bit.ly/ecf292g> http://bit.ly/ecf292g



Editing Richardson by Tug-of-War: Anna Letitia Barbauld and Richard Phillips
in 1804

William McCarthy

 <http://bit.ly/ecf292h> http://bit.ly/ecf292h


Print, Proximity, and the Marketing of Richard Phillips: Mediating

Sören Hammerschmidt

 <http://bit.ly/ecf292i> http://bit.ly/ecf292i



Thomas Keymer

 <http://bit.ly/ecf292j> http://bit.ly/ecf292j



What Is Fiction For? Literary Humanism Restored by Bernard Harrison

Sarah Vandegrift Eldridge

 <http://bit.ly/ecf292k> http://bit.ly/ecf292k


The Afterlives of Eighteenth-Century Fiction, ed. Daniel Cook and Nicholas

Jacob Sider Jost

 <http://bit.ly/ecf292l> http://bit.ly/ecf292l


The Rise of the Novel: A Reader’s Guide to Essential Criticism, by Nicholas

George Boulukos

 <http://bit.ly/ecf292m> http://bit.ly/ecf292m


Against Self-Reliance: The Arts of Dependence in the Early United States, by
William Huntting Howell

Katie Simon

 <http://bit.ly/ecf292n> http://bit.ly/ecf292n


L’Opéra mental: Formes et enjeux de l’écriture du spectacle chez
Jean-Jacques Rousseau, par Amélie Tissoires

Claude Dauphin

 <http://bit.ly/ecf292o> http://bit.ly/ecf292o


The Masqueraders, or Fatal Curiosity and The Surprize, or Constancy
Rewarded, by Eliza Haywood, ed. Tiffany Potter

Earla Wilputte

 <http://bit.ly/ecf292p> http://bit.ly/ecf292p




Eighteenth Century Fiction publishes articles in both English and French on
all aspects of imaginative prose in the period 1700–1800, but will also
examine papers on late 17th-century or early 19th-century fiction,
particularly when the works are discussed in connection with the eighteenth
century. http://bit.ly/ECFonline


Eighteenth Century Fiction is available online at:

Project MUSE -  <http://bit.ly/ecf_pm> http://bit.ly/ecf_pm

ECF Online -  <http://bit.ly/ECFonline> http://bit.ly/ECFonline



Submissions to Eighteenth Century Fiction

The editors invite contributions on all aspects of imaginative prose in the
period 1700-1800, but are also happy to consider papers on late
seventeenth-century or early nineteenth-century fiction. The languages of
publication are English and French. Articles about the fiction of other
languages are welcomed and comparative studies are particularly encouraged.
The suggested length for manuscripts is 6,000-8,000 words, but longer and
shorter articles have been published in the journal.


The Chicago Manual of Style is used for most points in ECF. Articles
submitted should be double-spaced, including quotations. Email submissions
are encouraged  <mailto:%20ecf at mcmaster.ca> ecf at mcmaster.ca. As ECF
evaluates manuscripts anonymously, the author's name ought not to appear on
the article itself.


Posted by T Hawkins, UTP Journals

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