[Milton-L] Now available on Project MUSE - Eighteenth Century Fiction Winter 2015

UTP Journals thawkic551 at rogers.com
Mon Jan 5 10:26:10 EST 2015

Now available online


Eighteenth Century Fiction - Volume 27, Number 2, Winter 2015 

 <http://bit.ly/ecf272pm> http://bit.ly/ecf272pm

This issue contains: 


“They Give No Cordials to Heighten the Fever”: Lady Mary, Corruption, and
the Problem of Royal Influence

Alexis McQuigge        


Empiricism and Henry Fielding’s Theory of Fiction

Roger Maioli    


Untimely Old Age and Deformity in Sarah Scott’s Millenium Hall

James Bryant Reeves            


Staging Sociability in The Excursion: Frances Brooke, David Garrick, and the
King’s Theatre Coterie

Katherine G. Charles  


Libertine Fiction, Forensic Fashion, and the Dandy’s Development in Edward
Bulwer’s Pelham

Erin Mackie     


Book Reviews/Critiques de livres

Chloe Wigston Smith, Women, Work, and Clothes in the Eighteenth-Century
Novel, reviewed by Danielle Bobker

Scott R. MacKenzie, Be It Ever So Humble: Poverty, Fiction, and the
Invention of the Middle-Class Home, reviewed by Katherine Binhammer

Allison Stedman, Rococo Fiction in France, 1600–1715: Seditious Frivolity,
reviewed by Anne E. Duggan

ed. Sophie Vasset, Medicine and Narration in the Eighteenth Century,
reviewed by Kathleen Tamayo Alves

James Chandler, An Archaeology of Sympathy: The Sentimental Mode in
Literature and Cinema, reviewed by James Brooke-Smith

Amy S. Wyngaard, Bad Books: Rétif de la Bretonne, Sexuality, and
Pornography, reviewed by Thomas Wynn

éd. Claude Thérien et Suzanne Foisy, Les plaisirs et les jours; actes du
colloque de 2011 à Trois-Rivières, Critique littéraire par Claude Gagnon

éd. Florence Magnot-Ogilvy et Martial Poirson, Économies du rebut: Poétique
et critique du recyclage au xviiie siècle, Critique littéraire par Sylvie

Olivia Murphy, Jane Austen the Reader: The Artist as Critic, reviewed by
Melissa Sodeman

Jim Kelly, Charles Maturin: Authorship, Authenticity and the Nation,
reviewed by Ashley Marshall

Kamilla Elliott, Portraiture and British Gothic Fiction: The Rise of Picture
Identification, 1764–1835, reviewed by Christopher Rovee




Eighteenth Century Fiction publishes articles in both English and French on
all aspects of imaginative prose in the period 1700–1800, but will also
examine papers on late 17th-century or early 19th-century fiction,
particularly when the works are discussed in connection with the eighteenth
century.  <http://www.utpjournals.com/ecf> www.utpjournals.com/ecf



Eighteenth Century Fiction is available online at:

Project MUSE -  <http://bit.ly/ecf_pm> http://bit.ly/ecf_pm

ECF Online -  <http://bit.ly/ecf_online> http://bit.ly/ecf_online


Submissions to Eighteenth Century Fiction

The editors invite contributions on all aspects of imaginative prose in the
period 1700-1800, but are also happy to consider papers on late
seventeenth-century or early nineteenth-century fiction. The languages of
publication are English and French. Articles about the fiction of other
languages are welcomed and comparative studies are particularly encouraged.
The suggested length for manuscripts is 6,000-8,000 words, but longer and
shorter articles have been published in the journal.


The Chicago Manual of Style is used for most points in ECF. Articles
submitted should be double-spaced, including quotations. Email submissions
are encouraged  <mailto:%20ecf at mcmaster.ca> ecf at mcmaster.ca. As ECF
evaluates manuscripts anonymously, the author's name ought not to appear on
the article itself.



Posted by T Hawkins, UTP Journals

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