[Milton-L] Sin

David Urban dvu2 at calvin.edu
Tue Oct 22 10:47:26 EDT 2013


Yes, it really was good, Diana.  Thanks!

-David
________________________________
From: milton-l-bounces at lists.richmond.edu <milton-l-bounces at lists.richmond.edu> on behalf of Kevin Donovan <Kevin.Donovan at mtsu.edu>
Sent: Tuesday, October 22, 2013 10:45 AM
To: John Milton Discussion List
Subject: Re: [Milton-L] Sin

And a fine paper it was, Diana! I’ll be drawing on it in my teaching this week.

Kevin J. Donovan
Professor of English
Middle Tennessee State University
MTSU Box 70
Murfreesboro, TN 37132
Phone: 615-898-5898
Fax: 615-494-8744

From: milton-l-bounces at lists.richmond.edu [mailto:milton-l-bounces at lists.richmond.edu] On Behalf Of Diana
Sent: Tuesday, October 22, 2013 9:34 AM
To: milton-l at lists.richmond.edu
Subject: Re: [Milton-L] Sin

I recommend an excellent article by Andrew Escobedo: "Allegorical Agency and the Sin of Angels" (ELH 75 (2008).  I just presented an article at Murfreesboro that had a section of Sin, but it's not "out" anywhere yet.
Diana T Benet
-----Original Message-----
From: Arlene Stiebel <amstiebel at verizon.net<mailto:amstiebel at verizon.net>>
To: John Milton Discussion List <milton-l at lists.richmond.edu<mailto:milton-l at lists.richmond.edu>>
Sent: Fri, Oct 4, 2013 12:37 pm
Subject: Re: [Milton-L] Sin
I'd recommend CS Lewis: A Preface to Paradise Lost as an essential resource.

-- Arlene


On Oct 4, 2013, at 9:15 AM, Brendan Prawdzik <brendanprawdzik at gmail.com<mailto:brendanprawdzik at gmail.com>> wrote:


Hi Hannibal and all,

I'm much interested in the way that Sin emerges, almost like a cancer, from the head of Satan ("in sight of all the Seraphim").  (We see something like the raising of Pandemonium.) The description of his semi- or unconscious state is peculiar and suggestive.  Sin as product of passivity, of non-agency.  This idea seems related to her status as rigid allegory (and is of course associated with rigidly anti-feminist exegesis, representing in her serpentine, grotesque features not only Spenser's Errour but also the woman-snake tempter who appears in some Fall dramas and paintings).  As rigid allegory she is self-referential, not a product of active choice and deliberation, but of an entropic agency in relation to prepackaged, inflexible "truths" or abstractions.  What is "sin" in Paradise Lost?  This idea of fixed self-referentiality recalls Satan's narcissistic love for her as a product of his own mind (that leapt out sans his control).  She is the divesture of authority masked as ultimate authority.  She is complicated!  (Your student should certainly look at Victoria Kahn's essay on allegory and the sublime in Paradise Lost.)

Regards,

Brendan

On Fri, Oct 4, 2013 at 10:41 AM, Hannibal Hamlin <hamlin.hannibal at gmail.com<mailto:hamlin.hannibal at gmail.com>> wrote:
Friends and colleagues,

I realize this is a bit of a cheat (I do have ideas of my own), but I'm curious to know what you all think might be the essential reading on Milton's allegorical Sin in PL. I have a senior undergrad interested in writing a thesis on the topic. We had a discussion of Sin on the list not too long ago, so many of you may have ideas fresh in mind.

Yours gratefully,

Hannibal



--
Hannibal Hamlin
Associate Professor of English
Author of The Bible in Shakespeare, now available through all good bookshops, or direct from Oxford University Press at http://ukcatalogue.oup.com/product/9780199677610.do
Editor, Reformation
The Ohio State University
164 West 17th Ave., 421 Denney Hall
Columbus, OH 43210-1340
hamlin.22 at osu.edu/<http://hamlin.22@osu.edu/>
hamlin.hannibal at gmail.com<mailto:hamlin.hannibal at gmail.com>

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