[Milton-L] Tasso translation?

Salwa Khoddam skhoddam at cox.net
Fri Oct 18 15:48:18 EDT 2013

Dear Dario,
About our project of translating Tasso....Which work would you like to do 
first? I believe you have already done "Il Mondo Creato," which you used to 
send to the Milton list. Isn't that right? I'd like to know in order to 
start asking the Italian professor here at the university about places of 
publication that might be interested. That is, if you are still interested. 
Let me know what you like to do.
Alla presto,

Salwa Khoddam PhD
Professor of English Emerita
Oklahoma City University
Author of *Mythopoeic Narnia:
Memory, Metaphor, and Metamorphoses
in The Chronicles of Narnia*
skhoddam at cox.net
----- Original Message ----- 
From: "Dario Rivarossa" <dario.rivarossa at gmail.com>
To: <milton-l at lists.richmond.edu>
Sent: Friday, October 18, 2013 2:31 PM
Subject: [Milton-L] Milton's blank verse: stresses and sources

> >My question has to do with the relation between the line boundary (...) 
> >and the syntactic boundaries (...)
> Dear Michael, in Dante as well as in Ariosto and even in Tasso's
> "Jerusalem" poems, the final word in a verse usually corresponds to
> the last word in a sentence, or a meaningful part of a sentence at
> least. Enjambements are a bit more frequent in Tasso, but nothing to
> be compared with Milton.
> Everything changes with Tasso's long poem "Il Mondo Creato," where
> enjambed lines are the RULE. That's why it 'would' be very hard to
> memorize them too, provided anyone were interested in doing so. But
> this poem would remain an exception until the 20th century, and very
> few people ever read it --- John Milton among them, possibly.
> [In my website Tassonomia, after being finished with the selected
> passages from "Gerusalemme Conquistata," (in some years) I would like
> to translate the whole text of "Il Mondo Creato" into English, it
> would a trivial matter of some 10,000 verses.]
> Best!
> dh
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