[Milton-L] Milton's visual imagery

Alice Crawford Berghof aberghof at uci.edu
Wed May 31 08:39:19 EDT 2006


Here are a few more to consult.  These have varying degrees of 
relevance:


Anand, Shahla. Of Costliest Emblem: Paradise Lost and the Emblem 
Tradition. Washington, D.C.: UP of America, 1980.

Cope, Jackson I. The Metaphoric Structure of Paradise Lost. Baltimore: 
Johns Hopkins, 1962.

Daniells, Roy. Milton, Mannerism and Baroque. Toronto: U of Toronto P, 
1963.

Di Cesare, Mario A., ed. Milton in Italy: Contexts, Images, 
Contradictions. Medieval and Renaissance Texts and Studies 90. 
Binghamton: Medieval and Renaissance Texts and Studies, 1991.

Frye, Roland Mushat. Milton’s Imagery and the Visual Arts: Iconographic 
Tradition in the Epic Poems. Princeton: Princeton UP, 1978.

Labriola, Albert C. And Edward Sichi, Jr., eds. Milton’s Legacy in the 
Arts. University Park and London: Pennsylvania State UP, 1988.

Martz, Louis L. “‘Hail holy light’: Milton, Rembrandt, and the 
Protestant Baroque.” The Image of the Baroque. Ed. Aldo Scaglione and 
Gianni Eugenio Viola. Literature in History: Studies in Italian Culture 
16. New York: Lang, 1995.

McColley, Diane Kelsey. A Gust for Paradise: Milton’s Eden and the 
Visual Arts. Urbana: U of Illinois P, 1993.

Treip, Mindele Anne. ‘Descend from Heav’n Urania’: Milton’s Paradise 
Lost and Raphael’s Cycle in the Stanza della Segnatura. English 
Literary Studies. Victoria, BC: English Literary Studies, U of 
Victoria, 1985.

Wofford, Susanne Lindgren. The Choice of Achilles: The Ideology of 
Figure in the Epic.  Stanford: Stanford University Press, 1992.
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