[Milton-L] PL and the Sabbath and classical myth
Boyd M Berry
bberry at mail1.vcu.edu
Mon Dec 20 09:55:28 EST 2004
God prefers before all temples the upright heart and pure. We get into a
problem of nomenclature here. There was great stress from a certain sort
of Protestant on keeping the sabbath; I would call them biblical as
differentiated from liturgical Christians. Sabbath breaking was much
condemned. But there did arise what are sometimes termed "seventh-day
sabbatarians, althoug I no longer recall when they emerged. I my _Process
of Speech_, I tried to talk about the immense volume of tracts on the
sabbath, with what success I'm not sure. I refered to Puritans then.
Boyd M. Berry
Virginia Commonwealth University
P. O. Box 842005
Richmond Va. 23284 2005
804 828 6785
Fax 804 828 8684
On Mon, 20 Dec 2004, nick dodd wrote:
> Two queries:
> What was Miltons attitude to the Sabbath? I ask this wondering about the idea that the description of Pandemonium is a satire of the building of St Peters in Rome. Did the Puritan suspicion of temples or steeple houses (as George Fox had it) extend to the Sabbath i.e. was the idea that there were no especially sacred places, because all places were equally Gods creations, extended to the idea that there were no days essentially more sacred than others?
> Is it right to suggest that the procession of the Fallen Angels offers a way of reading classical myth? Does it suggest that classical myth is always the product of humanitys willingness to be seduced by the speciousness of the devils? The pagan gods are the form in which humanity turns the devils into idols, so classical myth is the scripture of humanitys mistaken worship of the devils. If this is the case for Milton, can one then suppose that the allusions in the poem carry systematically distinct veracity? The Biblical allusions demonstrate the true inspiration of the poems narrator/poet, and count for more than the allusions to the natural world and the world of humanity, which in turn have more of truth, because they are a testimony to a virtuous apprehension of Gods creation and the trials of a true believer within it, than the allusions to Greek and Roman Epics.
> I wonder if anyone can help me with these questions. I am teaching Books 1 and 2 of Paradise Lost to sixth formers at a college in Huddersfield, England. My students are aged 17 and 18. I am a Milton novice, but am enjoying teaching his poetry. Forgive me if these questions are so rudimentary as to beggar belief, but I would be grateful for clarification or for being suggested some reading that would clarify my confusion.
> All good wishes,
> Nick Dodd
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